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Portfolio Assignment 8.5: Poes Narrative Style, and Your Own Despite how you might feel about Poes work yourself there is no denying the brilliance of his writing. His ability to weave a tale which toys with our imaginations is nearly unsurpassed. Think back on his stories which youve read and see if you can remember these hallmarks of his style. In fact, these are generally good traits for any narrative. An opening which introduces the audience to some or all of these elements: narrator, setting, the problem, characters. (Think about the opening of William Wilsonwhich of these were introduced?) Notice how he uses reflection to get the reader inside the head of the narrator. Poe varies the pacing of his stories, often using dialogue to slow time down and insert the reader into the story. Description which does not detract from the story. Good detail and sensory description (description using the five senses) is key to a story but if it is done with a heavy hand it can ruin the story. Poes conclusions, while often surprising, still feel as if they flow naturally from the previous scenes and details of the story. Instead of relying upon one specific literary style or trick, Poe uses these and other techniques in combinations to draw the reader deeper into the story. Now that youve recognized these techniques and seen them used by a master, you get to implement them yourself. Poe uses his excellent prose and narrative style to write fictional tales of suspense. You will do the same. I will walk you through the process of pre-writing then leave you to write your story. The first thing youve got to determine is what kind of scary or suspenseful story are you going to write. Will it be a supernatural thriller, or a suspenseful murder mystery, will there be ghosts, or an insane asylum? Use the following activity to get some ideas on what to write your story about. Get out a sheet of paper and a pencil, along with a timer. Set the timer for one minute. For each of the topics, you are going to do a free write. Start the timer, choose a topic and start writing everything that comes to mind. The goal is to never let your pen/pencil stop writing for the full minute. Write about some scary dreams or day dreams youve had. List some suspenseful movies youve seen. What made them intense? Many people believe that Poes worst fear was being alone; others think it was being buried alive. What do you think his worst fear was? Why? What is your worst fear? Read over your writing, look for things that are similar in each list, or items that stick out and catch your interest. These might be things that would make a good story. Here are some ideas to keep in mind when brainstorming and writing your story: Poes stories were scary without being overly gory. There are horrific images in his stories but they arent necessary described in ways that make them bloody and gruesome. In other words bloody doesnt equal scary. Most of his stories only give enough detail to let the readers imagination take over and make it truly scary. You now have an idea for your story. The last bit of prewriting to do is to create a brief outline. This is a short story; it will be a maximum of two pages single spaced. Use the basic elements of plot to create your outline. Exposition Rising action Climax Falling action Resolution Protagonist (person who moves the plot forward; many of Poes protagonists were murderers) Antagonist (the force which works against the protagonist) Now you have an outline you are ready to go for broke and write your suspenseful story. Here is the rubric which will be used to grade your story. Please read it before you start writing your final draft. Poe Short-story Rubric Strong Developing Emerging Opening The opening of the story is interesting and introduces at least two of these elements: Narrator, setting, characters, conflict The opening is interesting or introduces two of these elements: Narrator, setting, characters, conflict The opening is neither interesting nor introduces any of these elements: Narrator, setting, characters, conflict Detail The story has good sensory detail which uses all of the senses at least once The story has some sensory detail but only uses three of the five senses The story has very little sensory detail using only one sense Dialogue Story has convincing dialogue which adds to the story The story has dialogue The story has very little or no dialogue Conclusion The story has a conclusion which flows naturally out of previous events. The story has a conclusion which fits but doesnt flow with the rest of the story The story doesnt have a conclusion or has a conclusion which seems to have nothing to do with the story 5pts 3pts 1pts Total _____/20 Story is no more than 2 pages single space. 5pts Turned in elements of plot outline 5pts Total_____/30 Please format and submit your assignment according to the instructions in the syllabus. Be sure to save your assignment as a .doc or .PDF file. Please keep copies of all assignments. Independent Study is not responsible for lost assignments.

Date Posted: 30/05/2016
Category: History
Due Date: 30/05/2016
Instruction
Portfolio Assignment 8.5: Poes Narrative Style, and Your Own Despite how you might feel about Poes work yourself there is no denying the brilliance of his writing. His ability to weave a tale which toys with our imaginations is nearly unsurpassed. Think back on his stories which youve read and see if you can remember these hallmarks of his style. In fact, these are generally good traits for any narrative. An opening which introduces the audience to some or all of these elements: narrator, setting, the problem, characters. (Think about the opening of William Wilsonwhich of these were introduced?) Notice how he uses reflection to get the reader inside the head of the narrator. Poe varies the pacing of his stories, often using dialogue to slow time down and insert the reader into the story. Description which does not detract from the story. Good detail and sensory description (description using the five senses) is key to a story but if it is done with a heavy hand it can ruin the story. Poes conclusions, while often surprising, still feel as if they flow naturally from the previous scenes and details of the story. Instead of relying upon one specific literary style or trick, Poe uses these and other techniques in combinations to draw the reader deeper into the story. Now that youve recognized these techniques and seen them used by a master, you get to implement them yourself. Poe uses his excellent prose and narrative style to write fictional tales of suspense. You will do the same. I will walk you through the process of pre-writing then leave you to write your story. The first thing youve got to determine is what kind of scary or suspenseful story are you going to write. Will it be a supernatural thriller, or a suspenseful murder mystery, will there be ghosts, or an insane asylum? Use the following activity to get some ideas on what to write your story about. Get out a sheet of paper and a pencil, along with a timer. Set the timer for one minute. For each of the topics, you are going to do a free write. Start the timer, choose a topic and start writing everything that comes to mind. The goal is to never let your pen/pencil stop writing for the full minute. Write about some scary dreams or day dreams youve had. List some suspenseful movies youve seen. What made them intense? Many people believe that Poes worst fear was being alone; others think it was being buried alive. What do you think his worst fear was? Why? What is your worst fear? Read over your writing, look for things that are similar in each list, or items that stick out and catch your interest. These might be things that would make a good story. Here are some ideas to keep in mind when brainstorming and writing your story: Poes stories were scary without being overly gory. There are horrific images in his stories but they arent necessary described in ways that make them bloody and gruesome. In other words bloody doesnt equal scary. Most of his stories only give enough detail to let the readers imagination take over and make it truly scary. You now have an idea for your story. The last bit of prewriting to do is to create a brief outline. This is a short story; it will be a maximum of two pages single spaced. Use the basic elements of plot to create your outline. Exposition Rising action Climax Falling action Resolution Protagonist (person who moves the plot forward; many of Poes protagonists were murderers) Antagonist (the force which works against the protagonist) Now you have an outline you are ready to go for broke and write your suspenseful story. Here is the rubric which will be used to grade your story. Please read it before you start writing your final draft. Poe Short-story Rubric Strong Developing Emerging Opening The opening of the story is interesting and introduces at least two of these elements: Narrator, setting, characters, conflict The opening is interesting or introduces two of these elements: Narrator, setting, characters, conflict The opening is neither interesting nor introduces any of these elements: Narrator, setting, characters, conflict Detail The story has good sensory detail which uses all of the senses at least once The story has some sensory detail but only uses three of the five senses The story has very little sensory detail using only one sense Dialogue Story has convincing dialogue which adds to the story The story has dialogue The story has very little or no dialogue Conclusion The story has a conclusion which flows naturally out of previous events. The story has a conclusion which fits but doesnt flow with the rest of the story The story doesnt have a conclusion or has a conclusion which seems to have nothing to do with the story 5pts 3pts 1pts Total _____/20 Story is no more than 2 pages single space. 5pts Turned in elements of plot outline 5pts Total_____/30 Please format and submit your assignment according to the instructions in the syllabus. Be sure to save your assignment as a .doc or .PDF file. Please keep copies of all assignments. Independent Study is not responsible for lost assignments.
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